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1920s THROUGH 40s
Dashiell Hammett
Raymond Chandler
The 1950s
Rex Stout
The 1960s
John D. MacDonald
Ross MacDonald
The 1970s
Robert B. Parker
Lawrence Block
Stuart M. Kaminsky
The 1980s
Female Private Eyes
Marcia Muller (Sharon McCone, P.I.)
Sue Grafton (Kinsey Millhone, P.I.)
Sara Paretsky (V.I. Warshawski, P.I.)
Linda Barnes (Carlotta Carlyle, P.I.)
AKA Regional Writers
Robert Campbell (Chicago)
Loren Estleman (Detroit)
Walter Mosley (L.A.)
George Pelecanos (Washington)
Jonathan Valin (Cincinnati)
| A Brief History of Private Eye Fiction
The private eye first made his appearance in the 1920s in the pages of pulp magazines; inexpensive weekly magazines printed with flashy covers and newsprint pages. It is suggested that this character could only have developed after World War I, during the years of Prohibition. The disillusionment following the war and the growing gangster control of the cities led to a mood of cynicism, detachment, a guarded romanticism and a compulsion toward action; hence, the aggressive, straight-shooting P.I. By the 1960s detective fiction was out and spy fiction was in. During the 1970s the female P.I. took off. The 1980s witnessed the renaissance of detective fiction. We are now seeing a tendency toward more non-traditional and offbeat detective writing. Authors who write about private eyes located in specific regions, such as, Chicago, Detroit and so on, have become popular. The Private Eye Writers of America founded in 1981 is an organization devoted to P.I. detective fiction and is known for their annual Shamus Award.
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